Pulp Fiction Sports Illustrated

 

 

Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are two hit men on the hunt for a briefcase whose contents were stolen from their boss, Marsellus Wallace (Ving Rhames). They run into a few unexpected detours along the road. Marsellus is out of town, and he"s gotten Vincent to take care of his wife, Mia (Uma Thurman. That is, take her out for a night on the town. Things go smoothly until one of them makes a huge error. Butch Coolidge (Bruce Willis) is a boxer who"s been approached by Marsellus and been told to throw his latest fight. When Butch ends up killing the other boxer, he must escape Marsellus. Pumpkin (Tim Roth) and Honey Bunny (Amanda Plummer) (not their real names) are two lovebirds/thieves who have decided to rob the restaurant they"re currently eating at. But the restaurant doesn"t turn out to be as easy as the other places they"ve robbed
USA
average ratings: 9,3 / 10
Runtime: 2 h 34minutes
Genre: Crime, Drama
Roger Avary

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Pulp fiction briefcase. Pulp fiction plot. Pulp fiction royale with cheese. Pulp fiction suitcase. Pulp fiction movie. Pulp fiction theme. Pulp fiction and fantasy. Pulp fiction characters. Pulp fiction bible quote. Pulp fiction apartment scene. Pulp fiction quotes. Pulp fiction postavy. Pulp fiction gif. Pulp fiction festival. Pulp fiction dance scene song. Pulp fiction ending. Pulp fiction song. Pulp fiction definition. Pulp fiction wolf. Pulp fiction wiki. Pulp fiction meme. Pulp fiction ezekiel 25 17. Pulp fiction online. Pulp fiction tv. Like Welles with Citizen Kane, director and co-writer Tarantino has crafted greatness in story, plot, character and filming technique with this fascinating and well awarded film that not only brought John Travolta back from a long slew of turkeys (Need I mention them? but also welcomed the re-emergence of a style of storytelling and filmmaking made popular by directors like Cassevettes, Fuller and Sayles. The story moves perfectly and has loads of fun along the way, unleashing performances from Jackson, Keitel and Roth that are outstanding and worthy of study by film scholars, directors and actors. One of the finest made in the past ten years or even ten years from now.

Pulp Fiction is about a cast of vulgar, disgusting characters and their debased lives. This film centers around four different stories; two hit men accidentally shoot preteen informant in the back of their car, a boxer that refuses to throw a fight, and a doped upped hit man takes his drug dealing pimp daddy"s coke head wife on a date and a hit man is `saved. The stories are separate but come together like a bad episode of Seinfeld. Just to be cool and `avant-guard" Tarantino picked up his script and shuffled the pages together, added a thick smattering of pop culture riddled dialogue, and plagiarized every movie ever made.
There is not one redeeming character or idea in this movie. Most hail it as deep, but but that is only because they are shallow. I have questioned many of the film"s devotees as to why they like it, but they can scarcely say more than `its cool" or they comment on it being glamourous-500 cocaine baggies of heroin and 5 milkshakes. On its own terms, the movie is poorly crafted. Its much appraised non-linear story line is nothing new. Orson Wells challenged that institution 50 years ago with Citizen Kane. This doesn"t enhance the story at all, except blunting Vincent Vega"s (Travolta) pointless demise. He is alive when the credits roll, so he essentially avoids the repercussions of his actions. And finally, Jules" Jackson) misquoting scriptures and misapplication of the text was highly annoying. Besides, because he `found God" he is absent when his partner needed him the most. So by Tarantino"s definition, God is as debased as the characters portrayed in this horrible movie. The only thing that is redeeming in this movie is the soundtrack. Maybe Tarantino should have been a DJ.

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